I do not know whether it is true for you, but I make a terrible
subject for photographs. If I want to find a photo of myself that is even
slightly flattering, I would have to troll through years of snaps to come
across one that suits. Now I do not want to sound like the proverbial bad
carpenter who blames his tools! There is only so much that a Leica lens and a
good photographer can do, with the material given!
Coming as I do from my above position, I get amused when people
actually jostle to get in to the frame. A few of us are genuinely photogenic and
a picture is enhanced by their presence. But the vast majority I think sort of
fall South of the Border, leave alone the extremes who can crack a camera lens
with their smile. If you are the type of person who likes to observe human
behavior, a photo opportunity is a fantastic time to get a sense of people’s
self-perception.
Time and again I have noticed that the chances of a self-effacing person
actually coming out decent, are much more than those who track the trajectory
of a camera lens like a laser guided missile, and position themselves square in
the center of the frame. You can see these same people then immediately going
through the digital images and deleting any and all snaps that do not flatter
them, one after the other. This one shows too much teeth, this one caught my
bad profile, this one makes me look fat, etc. No matter that one of those
pictures, so callously discarded, was that rare photo where you yourself have
come out half decent.
These are the same folks then, who seem to appear in every photo you have ever
taken or are in, leaving others to suspect that you roam in a very limited
circle. This suspicion is then compounded by some of my other friends who are
extremely camera shy. They are constantly lurking behind the camera, and will never let go of one in their grasp. They remind me of rare species like the lynx or bush babies
or whatever, where one would literally have to sift through a lifetime of
photos, to catch a glimpse of their shadow or their image peeping in from the
edge of the frame.
But why do we smile for photographs?
I mean where was it written that we all need to show our teeth in every
photo? We all wait for the cue - Say Cheese - to bare our dentures, no matter
that most of us look half deranged with a grin on our face. There is a very
fine line between a grimace and a grin, and most of us seem to have no issue
with hopping back and forth across this thin red line. I have hundreds of
photos where the entire group seems to be captive to mass delirium, with
maniacal grins on their faces. Looking back I cannot help wondering as to the
reason for such merriment at the time was?
I think the best photos
are the natural ones. Images of people caught in repose, or in the midst of
some action. Photos of athletes in action are also great, especially when they
capture the moment of ultimate effort and strain. I would discount some of
them, of course, where the athlete appears to be either chased by a ravenous
predator, or on the verge of killing someone or himself dying of apoplexy.
Babies and children really do make the best subjects. So do animals, as they
seem to share that same innate sense to not smile every time a camera appears.
Children will frown, cry, and show displeasure without any pretense. That is
why babies tend to look cute even with tears in their eyes. And which is why
even the most famous smile, that of the Mona Lisa, is described at best as
enigmatic!
Anyway coming back to smiling for photographs, I have been so brainwashed
into grinning for them that the last time I went to a studio I was almost
thrown out. I needed some pictures for a new passport. The guy tending the shop
was a young Philipino who obviously had delusions of being on the cusp of
achieving greatness as a photographer. He explained that under revised
requirements, I should not smile for visa and passport photos, or rather I
should refrain from showing my teeth. Despite that and by force of habit, every
time he said "OK" I broke into a toothy smile. I then commenced to
alternate between this involuntary smile, and my before mentioned proclivity to
shut my eyes at the most inopportune moments. As this happened a couple of
times I could see this guy starting to lose his grip, and his mind starting its
litany on the last rites of his sanity.
Close to a nervous breakdown, he tried speaking to me a bit slower, even
tried his hand at Hindi and Tagalog (in which I am sure he was swearing). The
umbrella, the lights in the small closed off studio and his obvious irritation
broke me into a sweat. My nervousness was increasing in line with his
annoyance, and since I tend to smile when I am stressed, it made a grim
situation rather worse. The photographer was on the verge of forcibly ejecting
me, as I kept giving him my insane grin at every shot and apologizing after. It
became abundantly clear to him, that my custom was definitely not worth the
Twenty Dirhams and the related stress. The only thing that stopped him from
throwing his camera at me was his professional vanity and the thought that I
was borderline autistic.
The above being said I 'do' think that photos are a wonderful memory cache,
and hence when I can I try to take a few. I am not the sort who carries a
camera with me all of the time, nor do I think that every moment in my life is
a Kodak moment, but I do try and sense the occasion. My friends back home
however are almost Neanderthal in their approach to taking photos,
believing that a truly great photo, is the one not taken. Considering that most
of us are ageing quite rapidly, some more than others, I want to store a few
snaps of us with hair on our heads, a bit of colour on our cheeks and laughter
lines instead of wrinkles. Standing as we are on a slippery slope, I try to
step into the breach to preserve for posterity a few images that will not make
us shudder in years to come. And for these valiant and selfless efforts, every
time a camera is sighted in my hand, I am rewarded by being labeled "the
Japanese".
The photo world according to me is divided in to two types of people - the ones who will never let you into the frame, and others who will never want you out of it!
The photo world according to me is divided in to two types of people - the ones who will never let you into the frame, and others who will never want you out of it!
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